Events
04 / 12
Start: 00:00
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. Start: 00:00
End: 23:59
Join us for the opening of Abstracting the Real an exhibition by Blake and Wynne prize-winning artist David Voigt. David will be present in the Gallery from 2 to 4pm on Saturday 12th April in the Octagon Artspace. See the "Current Exhibitions" page for full details. | ||
04 / 13
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
04 / 14
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
04 / 15
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
04 / 16
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
04 / 17
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
04 / 18
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
04 / 19
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
04 / 20
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
04 / 21
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
04 / 22
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
04 / 23
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
04 / 24
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
04 / 25
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
04 / 26
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
04 / 27
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
04 / 28
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
04 / 29
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
04 / 30
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
05 / 1
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
05 / 2
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
05 / 3
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
05 / 4
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
05 / 5
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
05 / 6
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
05 / 7
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
05 / 8
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
05 / 9
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
05 / 10
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
05 / 11
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
05 / 12
(all day)
Start: 12/04/2008 - 00:00
End: 03/06/2008 - 23:59
ABSTRACTING THE REAL April 12 - June 3, 2008 Opening and Meet the Artist Saturday 12 April 2-4pm Looking into, rather than at, a David Voigt painting is to look into the artist’s mind. What you find there may at first seem to be an uneasy balance between nature’s unending array of natural forms of beauty and stark contrasts, and abstraction by machine-like geometric shapes and spaces that Voigt often chooses as borders to section off nature’s elements. | ||
